March 2, 2013 § Leave a comment
H.O.W. Journal is thrilled to publish our FIFTH selection of younger poets, curated by Catherine Pond. Enjoy, and scroll down to read earlier selections.
Deshpande’s mastery and ease is on full display in his poems ‘After the Child Fell’ & ‘Landing in St. Petersburg, Florida.’ The first is all the more powerful for its reserved, spare description of trauma. The second recounts a lover’s journey, both physical and emotional. Jay Deshpande’s poems have recently appeared or are forthcoming in Washington Square, La Petite Zine, Narrative, Handsome, Shampoo, Spork, and elsewhere. He is the former poetry editor of AGNI and he curates the Metro Rhythm Reading Series in Brooklyn.
‘Spectral’ & ‘South Philly’ are that rare breed of lyricism and intellectualism which thrills and delights in every sense. Humble yet powerful, their separate landscapes (one rural, one urban) both exude the sinister with ‘sodium lamps scanning the fog’ and ‘Quinceñara dresses hung dead-like on headless mannequins.’ Megan Fernandes is a PhD candidate in English at the University of California, Santa Barbara and holds an MFA in Poetry from Boston University. Her work has been published or is forthcoming in Rattle, Guernica, Redivider, Memorious, and the California Journal of Poetics.
Landscape is very much a character in ‘Adore’ & ‘Lake Baikal,’ two poems that plunge through longing and solitude with both reticence and intimacy. One foot in the natural world, they impress with their assured knowledge, their sense of abandonment, and their imagination. Lucy King received her BA in English from Skidmore College. She works in child psychology research in Boston. She grew up in Providence, Rhode Island.
In ‘The Telling’ & ‘Piñon’ fossils are ‘curled segments like fingers after a slap,’ while pinecones are ‘the fists of a child pounding the earth.’ In these poems, Marris portrays troubled domestic scenarios with remarkable originality and language of a particularly rare beauty. Laura Marris is an MFA candidate and Teaching Fellow at Boston University. Her work has been published in many journals, performed around the country, and featured on NPR as a winner of the Hillstead Museum’s Connecticut Fresh Voices Contest.
‘Wasting Honey on Mummies’ is a brief but startlingly imaginative take on contemporary values, exploring what it means to be ‘clean,’ while driving us to a dark conclusion about our own significance. Josh Schneider is a marketer living in Brooklyn. His writing has previously appeared in FUN, Fawlt, Short Fast and Deadly, VICE, Leveler, Noisey, and Thought Catalog. He is a Pisces and enjoys archery, skiing, and tennis.